Marina Abramović Live at MoMA

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From March 14 to May 31, 2010, the Museum of Modern Art held a major retrospective and performance recreation of Abramović's work, the biggest exhibition of performance art in MoMA's history. During the run of the exhibition, Abramović performed "The Artist is Present," a 736-hour and 30-minute static, silent piece, in which she sat immobile in the museum's centre, while spectators were invited to take turns sitting opposite her. A support group for the "sitters", "Sitting with Marina", was established on Facebook as was the blog "Marina Abramović made me cry". 

In fact, I didn’t find any information about the reason why spectators cried when they stared at Abramović’s eyes. And I didn’t visit this exhibition. I actually image more like a kind of film set. There is a huge square of light. And just that square, like lost in translation, in some way. It's so simple, it's like nothing there. It's just artist sitting like mountain. Looking you in the eyes, people don't understand that the hardest thing is to actually do something which is close to nothing. There is no story, any more to tell.

The most important point is communication in design. But sometimes we can’t use our work to communicate with spectators directly, and we need talk about some background about our work to audiences. However, Abramović did nothing else but communicating in how they were breathing or other tiny things with visitors. Therefore, we should explore this question how to achieve exchange of ideas in design.